Tuesday, November 30, 2010

The War Year's 1939-1945

In 1939 Henri Cartier-Bresson joined the French army as a Corporal in the film and photo unit. During the Battle of France  in June 1940 he was captured and spent the next  two years eleven months as a prisoner war doing forced labour for the Nazis. After two failed attempts he finely escaped in May of 1943 using false papers he returned to France. Where he joined the the underground, aiding other escapees and working secretly with other photographers to covering the occupation and then the liberation of France
"Dessau, Germany, April 1945.
A transit camp located between
the American and Soviet zones
organized for refugees; Political 
prisoners, POW's, STO's(forced laborers), 
Displaced persons, returning from the 
Eastern front of Germany that
had being liberated by the soviet
army.A young Belgian women and 
former Gestapo informer, being
identified as she tried to hide in the crowed."
 "Timesonline Photo Gallery"

 
"French painter Henri Matisse
with hismodel Micaela 
Avogadro, Cimiez 
district, Nice,France, 
February 1944."

Sunday, November 28, 2010

The Early Year's





Henri Cartier-Bresson was born August 22,1908 in Chanteloup-en-Brie, Seine-et-Marne, France. Died August 3, 2004.
He was the eldest of five children. His fathers family were wealthy textile manufacturers. Whose thread was a stable of french sewing kits. His mothers family were cotton merchants and landowners from Normandy.
The Cartier-Bresson family lived in the Bourgeois neighborhood in Paris and were able to give him financial support so allowing him to develop his interest in photography in a more independent way than many of his contemporaries. 
1927-1928 He studied in Paris with the cubist artist and critic Andre Lhote. Whom he later claimed implanted him with a life interest in painting.
As a child Henri Cartier-Bresson owned a Box brownie camera. But his first  entered into serious photography in 1931 after seen the work of Man Ray and Eugene Ataget. Using a small allowance, he traveled to Africa living in the Bush taking pictures of his experiences with a miniature  camera.  While in Africa he contracted Black water fever. Which meant he had to return to Paris.
In 1933 he bought his first 35 mm Leica camera. This type of camera was particularly relevant to him  as it lent itself to both spontaneity and anonymity as well so much did  Cartier-Bresson wish to remain silent an unseen that he would cover the chrome parts of his camera with tape so it would be less visible and would often hide his camera under a handkerchief.
  In 1935 Him spend some time it the USA,  Where he took his first photographs of New York and first experiments in film, with Paul Strand.
 1936 saw his him enter into film for the first time as second Assistant director to Jean Renoir on the Film  Une Partie de Campagne  
  In  1937 Cartier-Bresson Produced a documentary film, on medical aid in the spanish civil war.
     This was also the year of his first reportage photographs for news papers and magazines the coronation of Kin George VI for the French weekly Regards  strangely for the time he focused on the new monarchs adoring subjects lining the streets of london and took No photos of the New king. The photo credit simply read "Cartier" as he did not wish to use his family name.

 Trafalgar Square, 
Coronation of King George VI, 

London, 1937,
Henri Cartier-Bresson.

Coronation of King George VI, London, 
1937 Henri CARTIER-BRESSON










The Coronation Parade of George VI, 
Trafalgar Square, London, 1937














He  also worked as assistant director to Jean Renoir from 1936 - 1939  on two production, Une Partie de campagne ( A Day in the Country) and La Regle du jeu (The Rules of the Game).

Welcome to Clockshoutphoto

Im starting this blog  to learn and discuss as much as I can about one of my favorite Photographers Henri Cartier-Bresson as part of my college course in Photography for the Research and Writing skills section. Let hope that I wont bore the socks off anyone who reads this.
   So to start with Henri Cartier-Bresson artist statment and then  some  photo's by Henri Cartier-Bresson which you might be familier with.


His Artist Statement

For me the camera is a sketch book, an instrument of intuition and spontaneity, the master of the instant which, in visual terms, questions and decides simultaneously. In order to “give a meaning” to the world, one has to feel involved in what one frames through the viewfinder. This attitude requires concentration, discipline of mind, sensitivity, and a sense of geometry. It is by economy of means that one arrives at simplicity of expression.
To take a photograph is to hold one’s breath when all faculties converge in a face of fleeing reality. It is at that moment that mastering an image becomes a great physical and intellectual joy.
To take a photograph means to recognize – simultaneously and within a fraction of a second– both the fact itself and the rigorous organisation of visually perceived forms that give it meaning.
It is putting one’s head, one’s eye, and one’s heart on the same axis.